Condoman

The poster depicts a colorful illustration of comic book superhero Condoman advocating the use of condoms. The poster suggests there is nothing shameful about condom use. This image was originally created by the Commonwealth Department of Community Services and Health in Australia, and designed in conjunction with AVERT, an international AIDS charity based in the United Kingdom. The Condoman character was part of a broader prevention campaign that targeted younger Aboriginal audiences. In an effort to overcome the cultural stigma against condom use, Condoman proudly clutches a box of condoms and proclaims there is no reason to be ashamed.

11 x 16.25 in / 28 x 41 cm

Design: Redback Graphix for NACAIDS Canberra
Australia, ca. 1994


Education about AIDS/Everybody's Business

This is an educational poster with the goal to inform viewers about the needle exchange program and the importance of safe sex. On one level the poster relies heavily on literal depiction, such as images of needles embedded within condom/petal like forms. The color-coded small circles identify the various groups that are available for help and counseling about AIDS education, surround this four petal form. Four flower shapes in the corner, representing the spread of good information, frame the circles. The circle itself symbolizes the medicine wheel, where no one is more prominent than any other person, and there is no beginning and no end, so that all words spoken are accepted and respected on an equal basis. The symbol of a flower represents an attainment of goals. The poster therefore reinforces its message through the use of both literal and symbolic iconography without confusing the viewer.

24 x 35 in / 61 x 89 cm

Painting: Bronwyn Bancroft
Australia, 1992


Prevention of AIDS/Everybody's Business

This poster is an excellent example of the use of modern aboriginal motifs in relaying an important message. Here the use of circles within circles is color-coded to convey a series of messages that encompass the male/female figures in an apparent serpentine/snake form—the snake signifies both a benevolent protector of its people and a malevolent punisher of law-breakers. The rainbow serpent's mythology is closely linked to land, water, life, social relationships and fertility.

24 x 35 in / 61 x 89 cm

Painting: Bronwyn Bancroft
Australia, 1992


Caring for People with AIDS/Everybody's Business

The poster depicts a multi-colored wavy background with two black silhouettes reaching toward each other and the image of an eye in between them. This poster is another example of a direct message embedded in aboriginal symbolism. Here the main theme is visually encompassed within a circle. The circle is to allow each person to speak their truth in a place of confidence and safety. All anger, jealousy, hate, anguish must be left outside the circle so that a feeling of calm, kinship, and kindness can dominate—and hence friendship and love. The waves around the central image may also suggest water. Water here may symbolize the spirit, which protects both the conscious and unconscious self. It cleanses the physical body, the mind, emotions, and the spirit, therefore it is both a mystical and profound symbol of well-being.

24 x 35 in / 61 x 89 cm

Painting: Bronwyn Bancroft
Australia, 1992


Our Thoughts on AIDS

The poster depicts an image of a naked man and woman embracing while suspended inside a clear plastic bag filled with water. The rest of the poster is comprised of a photomontage including pictures of people, medical supplies, and typewriter keys against a dark background. The text suggests the need to confront the reality of AIDS without fear or blame.

16.5 x 23.3 in / 43 x 61 cm

Design: Garth Davis, Adam Fox, Todd Mitchell, Chris Tsernjavski, Photography: Kevan Way
Australia, 1995


Mankind is Kind

Translation: "Mankind is kind. Humanity is infectious. With HIV-positive people, living with HIV is not."

The poster depicts two arms crossed at the wrists with the fingers curving toward each other forming the shape of an AIDS ribbon. The message appears at the point where the wrists cross to emphasis the meaning.

23.5 x 33 in / 61 x 86 cm

Advertising Agency: Palla Koblinger & Partner, Creative Director: Roman A. Sindelar, Art Director: Bernd Fliesser, Photography: Andreas H. Bitesnich, Gewista, Druckerei Rezegh und Firma Reprodata. PK&P. AIDS-Hilfe Wien
Austria, ca. 1995


Stop AIDS Now

The poster depicts figurative letterforms created from choreographed human bodies spelling out the message.

33 x 23.25 in / 84 x 59 cm

Photo: Claudio Alessandri Design. Momix dancers: Erin Elliott, Solveig Olsen, Terry Pexton, Brian Sanders, courtesy of Riezouw Associates, LTD
Austria, ca. 1995


VIDAIDS

Translation: "Life/AIDS. The line that separates life from death is as thin as a needle."

This poster is a graphic visual depiction of the caption.

18.1 x 25 in / 46 x 63.5 cm

Agency: ADG Associação dos Designers Gráficos, AIDS and Youth Contest, Graphic Project: D Designers Associated, Claudio Novaes, Hugo Kovadloff, Milton Cipis; Development: Claudio Novaes; Text Collaboration: Maria Pia Parente; Electronic Editing: Alexandre Suannes
Brazil, 1992


For You to Do Your Jumping Around In

The poster depicts firemen holding a safety net resembling a condom. The message portrays a more humorous approach to a very serious subject.

16.7 x 23.1 in / 42.5 x 58.8 cm

Collaboration: MPM LINTAS, Photo: Chitolina, part of this project is financed by PNDST/AIDS of the Health Association
Brazil, ca. 1996


Grave Monument. AIDS is Still Circulating 1981–

The poster depicts two men engaged in a sexual encounter in the form of a funerary statue. The visual epitaph that the sculpture conveys—the consequence of practicing unsafe sex, immediately shatters the artistic beauty of the image.

13 x 17 in / 33 x 43 cm

Advertising Agency: MARKETEL, Creative Team: Gilles Dusablon, Linda Dawe, Stephane Gaulin
Canada, 2004


Grave Monument. AIDS is Still Circulating 1981–

The poster depicts a man and a woman engaged in a sexual encounter in the form of a funerary statue. The visual epitaph that the sculpture conveys—the consequence of practicing unsafe sex, immediately shatters the artistic beauty of the image.

13 x 17 in / 33 x 43 cm

Advertising Agency: MARKETEL, Creative Team: Gilles Dusablon, Linda Dawe, Stephane Gaulin
Canada, 2004


Grave Monument. AIDS is Still Circulating 1981–

The poster depicts a woman in the act of injecting herself with an implied infected needle in the form of a funerary statue. The visual epitaph that the sculpture conveys—the consequence of practicing unsafe sex, immediately shatters the artistic beauty of the image.

13 x 17 in / 33 x 43 cm

Advertising Agency: MARKETEL, Creative Team: Gilles Dusablon, Linda Dawe, Stephane Gaulin
Canada, 2004


AIDSTOP

This poster was created for an exhibition titled "StopAIDS" organized to raise AIDS Awareness on World AIDS Day, December 1st.

27.25 x 41.25 in / 70 x 100 cm

Design: Andrew Lewis
Canada, 2007


Hope

Translation: "Hope for a cure. Hope that together HIV/AIDS can be overcome. Hope for a better tomorrow by living a better today. Hope for more supportive communities. Hope that our people will once again thrive. Faith in the traditional strengths of our people. HIV/AIDS. The healing begins with us."

This poster is exclusively designed for the indigenous people of Canada, with a message of hope and health, for AIDS Awareness Day, December 1. The idea is to inspire the audience to learn more about AIDS.

26 x 14 in / 66 x 35.5 cm

Anon
Canada, Date unknown


United Against AIDS

The poster depicts the Caribbean land/seascape/horizon with its orange and blue colors and shapes. Two hands clasping each other show equal strength and responsibility between men and women in remaining aware of safe guarding against AIDS.

18 x 27.8 in / 45.5 x 70.7 cm

Anon, developed by CAREC (Caribbean Epidemiology Centre) in collaboration with AIDSCOM and funded by USAID
Caribbean, Date unknown


Stop AIDS

This poster depicts an image of a missile or bullet covered by a tight-fitting condom. The combination of the two objects creates an effective anti-AIDS message. The poster was created for the "Good 50 x 70" poster competition on the subject of AIDS Awareness. The stylistic approach incorporates the optical illusion created by the interplay of positive and negative shapes—either use a condom for safe sex or be killed by the bullet. The "AIDS" type is set in two divided colors—reflecting the positive/negative visual elements of poster—to represent that condoms are an "aid", and that people can also provide "aid" to stop AIDS.

23.6 x 35.5 in / 60.2 x 90.3 cm

Design: Fang Chen
China, 2007


Stop AIDS—Stay Faithful to Your Loved Ones

The poster depicts a heterosexual couple with their two young children. The main message advocates for the importance of leading a healthy life. The minimum use of color and simple typography further accentuate the central theme without drawing attention away from the message.

11.6 x 16.5 in / 29.6 x 42 cm

Design: Judith Künzle, produced by the Ministry of Health, Cook Islands
Cook Islands, 1996


Enjoy Life, Avoid AIDS

Translation: "Enjoy Life, Avoid AIDS. How do I Show that I Love You?"

Condom use is still stigmatized in many parts of the Caribbean, including Cuba. People are often too embarrassed to buy condoms in shops and even to use them with their partners. Since most of the AIDS cases reported in Cuba are among men having sex with men, these posters are designed to be suggestively ambiguous to cater to both same sex partners as well as heterosexual couples.

18.2 x 26 in / 46.3 x 66 cm

Design: Idania/Del Rio
Cuba, 2006


Enjoy Life, Avoid AIDS

Translation: "Enjoy Life, Avoid AIDS. How do I Show that I Love You"

Condom use is still stigmatized in many parts of the Caribbean, including Cuba. People are often too embarrassed to buy condoms in shops and even to use them with their partners. Since most of the AIDS cases reported in Cuba are among men having sex with men, these posters are designed to be suggestively ambiguous to cater to both same sex partners as well as heterosexual couples.

18.2 x 26 in / 46.3 x 66 cm

Design: Idania/Del Rio
Cuba, 2006


Living with HIV Doesn't Make You Different

The poster image depicts a brick plaza with all but one of the bricks aligned. A singular brick is placed perpendicular to the direction of other bricks. This brick is also a lighter shade of gray. The image appears to be in opposition to the poster's copy suggesting that living with HIV doesn't make you different. This disconnect of the meaning and message creates a dynamic effect.

15.8 x 23.6 in / 40 x 60.2 cm

Anon, Center for Sex Education
Cuba, 2005


STOP AIDS

Translation: "AIDS is transmitted through sexual intercourse; AIDS does not transmit through the air, water, food, urine, feces and normal social contact; protect yourself with condoms and monogamy; please be responsible to yourself and your surroundings."

16.5 x 22.3 in / 42 x 57 cm

Anon
Czech Republic, 1988


Stop the Spread of AIDS with Hearts

The message suggests that it will take sacrifice to stop such a deadly disease as AIDS.

33.5 x 23.5 in / 85 x 60 cm

Design: Ator J. Onaduna Poroleno
Czech Republic, ca. 1990


With Smile, With Condom

The poster depicts five happy elephants trumpeting their support of using condoms to eradicate AIDS by wearing them on their trunks.

16.5 x 23.3 in / 41.9 x 59.2 cm

Design: Studio ART, Nada Ocenásková Zuzana Honsová National Support Center for Health Czech-Slovak-Swiss Health Organization
Czech Republic, 1993


AIDS Avoid Infection

The designer states: "You can't go wrong if you follow your heart! It signifies love, and the interpretation can presumably also be extended to everything that goes with love and the consummation of love, and thus to sex—so it was very relevant as a symbol in the uncertain world from which the first reports of AIDS came. My thinking was this: if a traffic sign meant one thing and the same sign upside down meant the opposite, or at least that you had to take care, then the heart, viewed as a traffic sign, could mean, 'Take care, love or sex ahead!' The heart upside down could by the same logic mean, 'Take care, unsafe sex ahead!' The poster was for an informative/cautionary school film about AIDS in 1988."

31.5 x 47.1 in / 80 x 120 cm

Design: Per Arnoldi, Graphic Production: Lone Michelsen/Tryk: Kai Svendsen
Denmark, 1988


AIDS Info Funen 10th Anniversary

Per Arnoldi describes the concept of his poster: "The thing about poster and campaigns for AIDS, or rather information and warnings about AIDS, is that it's hard to know whether you should speak quietly and urgently or loudly and threateningly—general warning or wildly frightening. Or whether you find a visual idiom that does both at once. I tried the latter with the lovely peaceful water surface which is perhaps, once in a dreadful while, broken by the ominous fin of the shark...I mean everyone likes to swim, but..."

27.5 x 39.3 in / 70 x 100 cm

Design: Per Arnoldi
Denmark, 1995


Fighting AIDS and Methods to Escape it

Translation: "If you would like to hold an awareness session on AIDS, please contact us. If you have any questions or concerns, please do not be embarrassed or hesitate to call us at this number. Total secrecy is our motto."

This illustrative poster depicts AIDS as lethal as the eternal fire from hell—it can engulf the viewer and the world in its ferocity if correct steps and measures are not taken to ensure safety and health. The image of a syringe suggests the physicality of the disease with the large hand protecting the family from AIDS.

16 x 27 in / 40.6 x 68.6 cm

Anon
Egypt, ca. 1994


2004 World AIDS Day

Translation: "The red ribbon is an internationally recognized symbol. By wearing it, a message of conscience and caring is sent to all people infected with HIV and the ones taking care of them. Please wear the red ribbon on World Aids Day, or any day of the year."

This poster image suggests the red ribbon symbol as a binding embrace of caring and commitment. AIDS Day is a moment to commemorate people with AIDS and their loved ones who take care of them.

11.7 x 16.5 in / 29.6 x 42 cm

Design: Jyri Konttinen
Finland, 2004


Connected Globally

The poster image suggests our planet as a living embodiment of the linkage of all people. The message is directed to the Finnish people that, although there is a small but very real possibility of catching HIV within the borders of Finland, the majority of new contaminations come from exposure to the virus outside of Finland. The designer states:"We mustn't lure ourselves into false security as we are all connected."

27.6 x 39.4 in / 70 x 100 cm

Design: Pekka Piippo, Hahmo Design Ltd
Finland, 2010


They Would Like it to Be Simple

Translation: "They just met, they must meet again. They think it is only sex and then there's AIDS. They would like it to be simple."

The sketchy quality of this image diagrams the casualness of the sex act and its significance for two ordinary strangers meeting for the first time. The importance of using a condom even if it is a casual encounter is emphasized.

23.5 x 31.5 in / 60 x 80 cm

Design: Delphine Chanet
France, 1996


Sidafrica

The poster depicts the shape of the African continent pierced by a large red cross. The message relates the urgency and severity of the spread of AIDS and its consequential death rate within Africa. The poster is simple and to the point with a very strong and direct message to visually articulate the AIDS epidemic in Africa. This poster was designed for an exhibition at the 12th World AIDS Conference in Geneva, Switzerland.

35 x 24 in / 90 x 60 cm

Design: Alain LeQuernec
France, 1998


Condoms Are Not For the Head

The poster depicts a condom awkwardly stretched across a person's head. This silly and farcical image seems to mock the misuse or perhaps lack of use of condoms. Yet the humorous image remains intact in the viewer's memory while delivering a serious underlying message.

23.3 x 33 in / 59.3 x 84 cm

Drawing: R. Topor
France, 1993


Friends! Protect Yourselves!

The poster depicts a bold typographic statement declaring, "Friends! Protect yourselves," a visual ploy that immediately draws the attention of the viewer. In the center between the two words sits a grainy black and white image of a condom. Nested inside the condom is a smaller red and white circular image, the focal point of the poster, suggesting a subtle yet firm tension within the composition. The message is simple yet demands of its audience urgent and immediate action to protect and educate.

23.3 x 33 in / 59.3 x 84 cm

Design: Roman Cieslewicz
France, 1993


AIDS—Let's Speak Freely About it

The bold composition of this poster manages to spark an immediate storyline with the image of a partially covered female face and hands, across her partner's body, obscured by a large black oblong shape censoring the rest of the image. The white caption across the oblong directs the viewer back to the female face and in particular her eyes. The half-closed eyes however again direct the viewer back towards the image and the gaze now moves towards the caption and then underneath it to the small red letters outlining "SIDA" the French word for AIDS.

23.3 x 33 in / 59.3 x 84 cm

Design: Uwe Loesch
France, 1993


Her Name Was Valentine

Translation: "Her name was Valentine. She was born on the 4th of February, 1888. At age 96, her health declined. She was tired of living. She dwelled exclusively on one idea: to become a centenarian. Though in agony, just before turning 100, she revived long enough to ask, "How many days remain?" There would be six. "I'll hold on. I'll hold on." She died in February 1988. She had chosen to include in her death notice the following biblical verse; "She did what she could." Before dying she embroidered a piece of fabric with my initials. I offered it to Hervé, in memory of that night, long ago, when I asked him to share my bed. He demurred, adding: "Later you'll understand that I'm saving your life." Still, I invited him to at least sleep with me for a while. And so, I would have liked to believe that, having been embroidered by a one hundred year-old woman of fierce will, this cloth, crowned with such deep faith, would transmit its strength to him. On the 27th of December, 1991, at age 36, Hervé died."

23.3 x 33 in / 59.3 x 84 cm

Anon
France, 1993


Protect Yourself. The Only Way to Stop AIDS Is You

The poster image plays with a series of paradoxes to capture the viewer's curiosity and interest. Here the classic sign of danger, the skull, depicts the perils of the AIDS and HIV virus. The paradox is in the series of nudes positioned to form the image of the skull. The aesthetics of the nude figures draws the attention of the viewer while the skull symbolizes the consequences of unprotected sex.

23.3 x 31.5 in / 60 x 79.8 cm

Agency: TBWA/Paris. Creative Director: Erik Vervroegen, Art Director: Marianne Fonferrier / Stephanie Thomasson, Photography: Eric Traoré, inspired by a photograph made by Philippe Halsman in 1951
France, 2003


I Will Never Forget the Day of My Trial

Translation: "I will never forget the day of my trial. The jury. The confusion. The shame. The silence. The eyes. The tears. I was called a pervert. I was asked never to go near my family again. Judgement was passed, the verdict was cast. It was over before it ever began. It was on a Sunday during tea time in the living room that I told my family I am HIV-positive. Say no to exclusion. One out of three HIV-positive people is rejected by their own family."

This message clearly targets young impressionable youth. The message is a personal discourse between the narrator and the viewer where the viewer is forced to reflect and empathize with the sadness of the tale and encouraged to take all precautionary methods to avoid similar fate.

31.5 x 23.6 in / 80 x 60 cm

Agency: TBWA/Paris; Creative Director: Erik Vervroegen, Copywriter: Veronique Sels, Art Director: Ingrid Varetz
France, 2006


Jack is Fantastic

Translation: "Jack is fantastic. He knows exactly how to make me feel better. I can sit for hours just talking to him. About this and that. About being HIV-positive. That's what I need now: an ear. We go for long walks on the beach. We hang out. We spend lots of time together. He has never judged me. He has never thought about leaving. I have learnt that a dog can truly be man's best friend. Sadly, I have also learnt that sometimes they can be a man's only friend. Seven out of ten HIV-positive people live alone and suffer in isolation. Say no to exclusion."

The poster is a photograph of a painted mural depicting the image of a middle-aged man with a spray can and his dog. The message clearly targets lower to middle income men. The message is one of isolation and desperation and plays with the viewer's insecurities, particularly of that of loneliness and distress.

31.5 x 23.6 in / 80 x 60 cm

Agency: TBWA/Paris; Creative Director: Erik Vervroegen, Copywriter: Veronique Sels, Art Director: Ingrid Varetz
France, 2006


I've Always Dreamt of Becoming an Actress

Translation: "I've always dreamt of becoming an actress. And then one day it actually happened. My first role was a carefree, fun-loving student. Followed by a tenacious, career driven intern. Both roles came naturally to me. One flowed into the other. And then I played a woman in hiding. A woman that hid from the world behind sunglasses and a wig. But acting hasn't turned out like I had planned it. The film in which I have been acting turned out to be my life. I have been pretending all along that everything's fine. That I'm not HIV-positive. Two out of Three HIV-Positive people hide the truth in fear of discrimination. Say no to exclusion."

The poster is a photograph of a painted mural depicting a woman sitting next to a collection of wheat-pasted messages that elucidate the narrative text. The message clearly targets lower to middle-income women and plays on their shattered dreams. The poster employs the notion of "writing on the wall" literally, so as to startle the viewer into recognizing the dangers and consequences of their choices and dangerous lifestyle.

31.5 x 23.6 in / 80 x 60 cm

Agency: TBWA/Paris; Creative Director: Erik Vervroegen, Copywriter: Veronique Sels, Art Director: Ingrid Varetz
France, 2006


Live Long Enough to Find the Good/Protect Yourself

The poster depicts a brightly rendered quilt of cartoon characters set in a timeline narrative that communicates to a wide range of ages and genders, as both an adolescent and an adult can equally relate to the lifestyle portrayed in the imagery. The poster is designed to come across as full of life and happenings as the title further accentuates this notion by declaring:"Live long enough to find the good."

23.5 x 15.6 in / 60 x 40 cm

Illustration: Skwak
France, 2007


Congratulations

Translation: "Congratulations, you are now one of the people who is not afraid to approach someone with HIV."

This poster depicts an image of a healthy female model inviting the viewer to come closer to decipher the small text printed on the woman's lips. Once read the viewer may abruptly step away, but the memory remains.

23.5 x 31.5 in / 60 x 80 cm

Agency: EURO RSCG Paris
France, 2005


Felix Is Sleeping Peacefully at Home. His Hans Uses Condoms.

The poster depicts a naked man laying face down on a billowy bed. The text indicates that this is Felix, who is home sleeping peacefully while his lover Hans is with another man named Otto. Felix has no reason to fear because Hans uses protection when he has sex with other partners.

18.8 x 26.75 in / 48 x 69 cm

Art Director: Rainer Schilling, Designer: Detlev Pusch, Photographer: Norbert Heuler, Copywriter: Deutshe AIDS-Hilfe e.V., Client: Deutshe AIDS-Hilfe e.V., Berlin, Germany
Germany, ca. 1993


OK, I Am Gay

Translation: "OK, I am gay. Not just at night, but also during the day. I am not afraid, at least not of this word, not of my parents, not of the others, their words or jokes, not of gangs or Nazis. I am strong, because I am happy, because I have friends, who accept me. Until a year ago I thought, accepting being gay, I can never do that. Somehow I did it, it was easier than I thought. Now I am a man, a young, confident gay man, who wants to grow old, very old."

33.1 x 23.3 in / 59.3 x 84 cm

Design: Wolfgang Mudra, Photo: Reinhard Lorenz, Copy: Claus-Wilhelm Klinker, Deutshe AIDS-Hilfe e.V.
Germany, 1995


Safer Use, Safer Sex Now

Translation: "Don't pass on used needles. A new, sterile needle for each fix. Screw only with condoms. Safer use, safer sex now."

The poster depicts a stylized yet plausible group of individuals that can be infected by needles and as a consequence HIV/AIDS. The visual effect—reminiscent of German Expressionism (a style of painting influenced by film noir)—displays a serious and heavy-handed rendering of an unconventional and dangerous lifestyle.

23.3 x 32.6 in / 59.2 x 83 cm

Design: Peter Knoch/Druckwerkstätten Hatziiliadis, Client: Deutshe AIDS-Hilfe e.V.
Germany, ca. 1990


Eeny Meeny Miny Moe Is Making Noise in the Bed

Translation: "Eeny meeny miny moe is making noise in the bed. Eeny meeny miny moe and you are lost."

A bed bearing a red heart with two falling line figures and the German nursery rhyme suggest the downfall of two lovers who did not practice safe sex."

23.25 x 33 in / 59.2 x 84 cm

Drawing: Martin Schink, AIDS-Hilfe Weimar e.V.
Germany, Date unknown


The Gift from Heaven

The poster depicts two condoms overlapping amidst the heavenly clouds with endless reinterpretations such as a match made in heaven. The text at the bottom further identifies the two condoms as a "gift from heaven."

23.25 x 33 in / 59.2 x 84 cm

Design: Walburga Lieven, GH-Uni Duisberg, AIDS-Hilfe Duisburg/Kreis Wesel e.V.
Germany, 1995


Double Stitched Lasts Longer/AIDS Is Not a Punishment from God

The poster depicts a collaged image of two condoms covering the church spires. The powerful image seeks to counter the popular belief that AIDS is a punishment from God. This is a very effective example of how a poster can confront a viewer about their superstition, ignorance, and prejudice toward those people who suffer from HIV/AIDS.

23.3 x 32.8 in / 59.2 x 83.5 cm

Design: Klaus Staeck
Germany, 1987


Never Trust an Unknown Fix

A syringe forming the "i" of AIDS warns the viewer not to trust (or use) unknown needles.

16.5 x 23.3 in / 42 x 59.2 cm

Design: Papen, Hansen Köln
Germany, 1995


Acquired Immune Deficiency Syndrome

The poster depicts the letters of AIDS as fins or tails from ocean predators. The image plays on the notion that there is danger lurking below the surface that the unsuspecting person cannot see.

20.1 x 30 in / 51.2 x 76 cm

Design: Lex Drewinski
Germany, 2007


AIDS Ribbon

The red ribbon has become a widespread symbol throughout the world, particularly among gay and lesbian communities, and has appeared in many different forms and versions. A loop of red silk ribbon, typically fastened on a lapel or pinned to a shirt, shows the wearer to be sympathetic and supportive of those with HIV/AIDS. Designed by the graphic arts activist group Visual AIDS to increase awareness and promote action to combat AIDS, the red ribbon symbol was introduced in the United States at the 1991 Tony awards ceremony by the group Broadway Cares/Equity Fights AIDS. In 1993 the US Postal Service released a red ribbon stamp with the caption ""AIDS Awareness."" The AIDS ribbons also provided the impetus for other groups to designate variously colored ribbons for their own causes, such as the pink ribbon worn for breast cancer awareness.

23.2 x 33 in / 59.4 x 84 cm

Design: Ivo Gadea, Deutsche AIDS-Hilfe e.V.
Germany, 2005


Talking About Your Problems Makes Them Less Painful

This poster is a classic example of Hong Kong's "east meets west" sensibility. The caption is applied to the Chinese sensibility of ignoring unpleasant or socially unacceptable matters. The target audience for this poster would be a regular client of sex workers in Hong Kong, where it is often common practice to have sex without a condom. Any discussion of issues surrounding sex work remains a societal taboo in Hong Kong. The concern is that people might contract HIV without realizing it.

16.5 x 23.2 in / 41.8 x 56.8 cm

Anon, Organization: AIDS Concern
Hong Kong, 1994


Blocking Out the Facts Won't Make Them Go Away

This poster is a classic example of Hong Kong's "east meets west" sensibility. The caption is applied to the Chinese sensibility of ignoring unpleasant or socially unacceptable matters. The target audience for this poster would be a regular client of sex workers in Hong Kong, where it is often common practice to have sex without a condom. Any discussion of issues surrounding sex work remains a societal taboo in Hong Kong. The concern is that people might contract HIV without realizing it.

16.5 x 23.2 in / 41.8 x 56.8 cm

Anon, Organization: AIDS Concern
Hong Kong, 1994


STOP AIDS

This compelling metaphor plays on the notion that the crow is an omen of conflict and death. The poster was designed for the "Good 50 x 70" poster competition.

20 x 29.8 in / 50.8 x 75.7 cm

Design: David Barath
Hungary, 2008


Multiple Sexual Partners Can Cause AIDS/A Single Partner Can Augment Your Family Tree

The poster depicts two scenarios: a negative outcome followed by a positive outcome. The moral message is targeted directly to men—that if they commit themselves to one woman, forsaking all others, they will live a happy life and enjoy healthy family life. The image is rendered in an illustrative pictorial style, simple, unembellished and easily accessible to its target audience of men primarily living in the rural areas of India.

22.5 x 17.5 in / 57.2 x 45.5 cm

Design: S. Gosh, printing sponsored by East-West Committee, London for NGO-AIDS cell, Centre for Community Medicine, AIIMS, New Delphi, UNESCO/AIDSTHI workshop, Bihar, India
India, 1995


AIDS Is an Untreatable Disease

Translation: "AIDS is an untreatable disease. It spreads through unsafe sex. Through infected blood. From pregnant mother to the child. Through infected needles."

The poster depicts two women, possibly a daughter (left) and her mother (right), standing in their home. The mother is speaking to her daughter about how AIDS can be transmitted through four examples found to the right of the poster. The image is rendered in an illustrative pictorial style, simple, unembellished and easily accessible to its target audience of women primarily living in the rural areas of India.

22.6 x 17.6 in / 57.5 x 45 cm

Design: S. Gosh, printing sponsored by East-West Committee, London for NGO-AIDS cell, Centre for Community Medicine, AIIMS, New Delphi, UNESCO/AIDSTHI workshop, Bihar, India
India, 1995


My Husband Has Gone to the City to Make More Money

Translation: "My husband has gone to the city to make more money, I hope he does not contract AIDS while he is there. But if he resists temptations then he can never bring AIDS back home. Sexual intercourse without proper precautions results in the spread of AIDS."

This poster depicts three Hindi women, dressed in traditional clothing, sitting on a rug. The central figure is of a young mother with a newborn baby tied closely to her body. The women are talking to one another. It can be inferred that they are discussing the possibility of a husband contracting AIDS while away from home. The poster cautions to use protection when having sex with strangers. The central theme in this poster is male infidelity and with it an increased risk of contracting HIV/AIDS. The subject matter and title is extremely relevant to the target audience, in this instance the families in rural parts of the country, as most men tend to earn their living by going to the cities, and usually remain in the city for fairly long periods of time. This theme exposes the vicious cycle of poverty. Away from their families due to lack of funds and paid vacations, these men turn to sex workers, and are likely to be infected by them. India has a fairly large percentage of female sex workers who are HIV-positive.

17.5 x 22.5 in / 45 x 57.5 cm

Design: S. Gosh, printing sponsored by East-West Committee, London for NGO-AIDS cell, Centre for Community Medicine, AIIMS, New Delphi, UNESCO/AIDSTHI workshop, Bihar, India
India, 1995


People Suffering From AIDS Need Love

Translation: "People suffering from AIDS need love. Not disgust, not abandonment, but just love."

The poster depicts a gathering of six men and women surrounding a seventh person who is clearly unwell. The message is advocating a non-discriminatory approach to supporting those who cannot care for themselves.

17.75 x 22.55 in / 45.1 x 57.4 cm

Design: S. Gosh, printing sponsored by East-West Committee, London for NGO-AIDS cell, Centre for Community Medicine, AIIMS, New Delphi, UNESCO/AIDSTHI workshop, Bihar, India
India, 1995


If I Am Infected by the AIDS Virus Then Who Will Catch the Fish?

The poster depicts a fisherman and his wife in their boat catching fish. As the message implies, if one or both of them gets sick from the AIDS virus, they will lose their livelihood.

17.6 x 22.1 in / 44.8 x 56.3 cm

Design: S. Gosh, printing sponsored by East-West Committee, London for NGO-AIDS cell, Centre for Community Medicine, AIIMS, New Delphi, UNESCO/AIDSTHI workshop, Bihar, India
India, 1995


Safety

Translation: "Safety. Use Nirodh condoms. Unsafe sex can spread AIDS."

The poster depicts a married couple—the wife is offering a condom to her husband's outstretched hand. By accepting this from her, it is implied that he has agreed to use it. The message suggests that in order to be safe you must use a condom. The poster image is rendered in an illustrative pictorial style, simple, unembellished and easily accessible to its target audience of men primarily living in the rural areas of India.

17.55 x 22.6 in / 44.7 x 57.5 cm

Design: S. Gosh, printing sponsored by East-West Committee, London for NGO-AIDS cell, Centre for Community Medicine, AIIMS, New Delphi, UNESCO/AIDSTHI workshop, Bihar, India
India, 1995


How AIDS Is Transmitted and How It Is Not

Translation: "These incidents CAN cause AIDS. Top: Infected blood transfusion. Injecting yourself with an infected needle. Sexual intercourse with an infected partner. From a pregnant mother to her child. Bottom: These incidents CANNOT cause AIDS. Mosquito bites. Playing together. Working together. Eating together. Take precautions against AIDS...use Nirodh condoms"

22.6 x 34.7 in / 57.5 x 88.8 cm

Anon, AIDS Control project, Government of Andhra Paradesh Sultan Bazar Hiderabad
India, ca. 1993


I Am the Condom! Your Guard Against AIDS!

The poster depicts a large rendering of an animated, anthropomorphically drawn condom, surrounded by five smaller versions articulating important information about HIV/AIDS, how it spreads and how condoms can keep you safe. This non-threatening comic book style message, both educational and informational, would be appropriate for young men and woman, as well as general audiences.

14.4 x 19.25 in / 36.8 x 49.7 cm

Design: Ramesh Sukumar for VHAI (Voluntary Health Association of India) New Delphi and Manipur Voluntary Health Association
India, ca. 1995


Get Tested Before You Get Married

The poster depicts two safety pins on a vibrant pink background. But unlike a regular pin, a safety pin has a simple spring mechanism and a clasp. The clasp serves two purposes: to form a closed loop thereby properly fastening the pin to whatever it is applied to, and to cover the end of the pin to protect the user from the sharp point. The image reshapes the simple spring mechanism into a heart shape and leaves one of the pins unfastened, and therefore potentially unsafe. The image's metaphoric significance and use of the color pink may signal its targeted constituency of women considering marriage in both rural and urban Iranian households. The poster employs a modern western design sensibility to portray a highly sensitive and intimate subject in a society with severe censorship laws.

27.5 x 39.3 in / 70 x 100 cm

Design: Parisa Tashakori
Iran, 2007


Test Your Partner Before You Make the Final Decision

The poster depicts two safety pins on a bright blue background. The image plays with the shape on one of the pins, bending it outward suggesting a "baby bump" and filling the negative space with a small safety pin suggesting a fetus. The image's metaphoric significance and usage of the color blue may signal its targeted constituency of males in both rural and urban Iranian households considering marriage and starting a family. The poster employs a modern western design sensibility to portray a highly sensitive and intimate subject in a society with severe censorship laws.

27.5 x 39.3 in / 70 x 100 cm

Design: Parisa Tashakori
Iran, 2007


AIDS: Suspicious Sex, Uneasy Conscience, Forbidden Behaviour, Deadly Diseases

The poster depicts a woman's uncovered and bare legs stepping on a man's shoes suggesting an amorous encounter. However, in a male-dominated religious culture with severe censorship laws, the image of a woman may suggest a "distasteful" metaphor—an attempt to illustrate the grimness of the disease utilizing the human skull as a powerful representation of death and mortality, in an intimate kissing position. The image's iconography borrows heavily from the concept of Eve as the originator of all sins in reference to AIDS as the "deadly female."

19.5 x 27.5 / 49.7 x 70 cm

Artist: Mi'raj Faris, Republic of Iraq, Ministry of Health, Health Education Section
Iraq, 1992–93


Life Saver

The poster depicts a photograph of a condom with the addition of red striping to suggest a boat's ring-shaped life preserver. This was a self-initiated project for the designer to express his philosophy on the role of design for social and political advocacy—a positive approach against negative HIV results.

20 x 27 in / 49.7 x 69.7 cm

Design: Yossi Lemel, Photography: G. Korisky
Israel, 1993


Don't Be Surprised by AIDS, Cover Up

Conceived for the competition "Positive Contacts" held in Biella, Italy in 2002, and inspired by the trademark of an African musician involved in the fight against AIDS, this poster took second prize. Although the image was never published, except in postcard form, the postcards were distributed in places frequented by youth. In a short time the image became a cult object.

26.8 x 38.5 in / 68 x 98 cm

Design: Mauro Bubbico
Italy, 2002


Who's Afraid of the Big Bad Wolf?

Translation: "AIDS is not the big bad wolf. It is a serious illness, one that should be prevented with attention, and treated with every means available, but it is nothing more than an illness. Those who suffer from it should be helped in every way possible, not isolated and avoided like convicts. AIDS is fought also with caring and solidarity. Fear, solitude and isolation are the real big bad wolf."

28.1 x 39.3 in / 70 x 100 cm

Design: Andrea Rauch, Rauch Design
Italy, 1991


Soccer Balls in a Condom, United Colors of Benetton

The poster depicts a manipulated image of two soccer balls housed in a condom—the effect suggestive of male genitalia. Benetton's efforts to raise awareness for safer sex were well received by Health organizations and AIDS groups.

16.5 x 11.6 in / 42 x 29.6 cm

Concept and Photography: Oliviero Toscani
Italy, 1991


Colored Condoms, United Colors of Benetton

The poster depicts a photograph of unfurled colorful condoms. Benetton's efforts to raise awareness for safer sex were well received by Health organizations and AIDS groups.

16.5 x 11.6 in / 42 x 29.6 cm

Concept and Photography: Oliviero Toscani
Italy, 1991


HIV Positive, United Colors of Benetton

A series of three posters created in the fall of 1993 for the United Colors of Benetton campaign. The campaign underscored the figurative branding of individuals who are HIV-positive.

16.5 x 11.6 in / 42 x 29.6 cm

Concept and Photography: Oliviero Toscani
Italy, 1993


HIV Positive, United Colors of Benetton

A series of three posters created in the fall of 1993 for the United Colors of Benetton campaign. The campaign underscored the figurative branding of individuals who are HIV-positive.

16.5 x 11.6 in / 42 x 29.6 cm

Concept and Photography: Oliviero Toscani
Italy, 1993


HIV Positive, United Colors of Benetton

A series of three posters created in the fall of 1993 for the United Colors of Benetton campaign. The campaign underscored the figurative branding of individuals who are HIV-positive.

16.5 x 11.6 in / 42 x 29.6 cm

Concept and Photography: Oliviero Toscani
Italy, 1993


The Death of David Kirby

The photo of AIDS activist David Kirby was taken in his room at the Ohio State University Hospital in May 1990, with his father, sister, and niece at his bedside. The photo, taken in both black and white and color by Therese Frare, was part of a photographic documentary on the lives of clients and caregivers in a hospice for people with AIDS. The photograph was included in LIFE magazine in November 1990 and went on to win the 1991 World Press Photo Award. Tibor Kalman, working with Oliviero Toscani, was preparing a consciousness-raising campaign associated with Benetton products and culture. He saw the Frare photograph in LIFE magazine and suggested that Benetton include it in their advertising campaign. Benetton approached the photographer and Kirby family, gaining consent for the use of the photograph and contributing to an AIDS foundation. When considering whether to stay with black and white or use color the creative team decided that it needed to look like an advertisement, raising the shock value

16.5 x 11.6 in / 42 x 29.6 cm

Concept: Tibor Kalman, Oliviero Toscani, Photo: Therese Frare
Italy, 1992


Using a Condom Means that You Yeally Care

The poster targets young African male and female adults in its depiction of a healthy young couple thinking about using a condom. The effect is further enhanced by the text emphasizing the significance of using a condom. Unlike many generic AIDS awareness posters, this poster does not sexualize the figures, particularly that of the female, but instead the couple is shown simply and conservatively dressed. The message stresses the importance of safe sex without the cliché of emphasizing any sexual context within the message.

16.4 x 23.25 in / 41.5 x 59.2 cm

Anon, NGO AIDS Consortium with PATH, USAID/FHI/AIDSCAP
Kenya, ca. 1997


AIDS...And You, What do You Think About it?

Translation: "AIDS...And you, what do you think about it? Don't Stop Listening. Talk about it. Look people in the eye."

This poster is a modern day embodiment of the three wise monkeys, a pictorial proverb. Together the monkeys "see no evil, hear no evil, speak no evil". There are various meanings ascribed to the monkeys and the proverb. In the western world the phrase is often used to refer to those who deal with impropriety by looking the other way, refusing to acknowledge it, or feigning ignorance. Here it is used to suggest a similar message for the Lebanese people to overcome traditional and sexual taboos to protect their health and the health of their loved ones.

25.1 x 17.8 in / 64 x 45.5 cm

Anon
Lebanon, ca. 1993


AIDS is the Cause of Death in Many Children

The poster depicts a series of inverted colorful letters forming a triangular shape suggestive of an upended child's toy that has settled at the bottom of the picture plane. The stark black void-like background evokes a feeling of helplessness as the seriousness of the text suggests.

26.3 x 37.1 in / 67 x 94.4 cm

Design: Félix Beltran, Client: Universidad Autonoma Metropolitana
Mexico, 2006


INRI in AIDS, Unite Against AIDS in Children

In Mexico, the highest percentage of children with AIDS are from indigenous populations. Their mothers contract the virus through their partners, who return infected from abroad. The poster shows a traditional Mexican doll, representing these indigenous children. The poster resonates the visual relationship between the initials INRI inscribed in the Crucifix and the initials AIDS (SIDA), suggesting the doll died from AIDS.

28.75 x 40.5 / 73 x 103 cm

Design: Carlos M. González Manjarrez, UNICEF
Mexico, 2007


SIDA

The poster is an excellent example of using simple typographic elements to portray an important message. The composition is divided into two equal halves, one black and one white. The word "SIDA" or AIDS is also divided so as to include the letters "SI" written in black on the white half of the poster, and the letters "DA" in white on the black half of the poster. The letters "SI" translates into a ""yes"" and the upended letters "DA" urges the viewer realize that ""yes AIDS can and does contaminate."

35.3 x 27.1 in / 90 x 69 cm

Design: Teresa Camacho
Mexico, 1992


Unite for Children, Unite Against Aids in Children

The poster depicts a child's white paper boat afloat in a blood red sea of water mines. The paper boat is a metaphor for the fragility of children in imminent danger, while the water explosives suggest the urgency essential to protect innocent children against the menace of AIDS. The image accentuates the vulnerability and perils of being a child amidst the danger that HIV/AIDS can cause for them and their families.

27.5 x 41 in / 70 x 112 cm

Design: Eduardo Barrera, UNICEF
Mexico, 2007


Tradition Doesn't Rhyme with Prevention

This is a good example of a simple solution aimed at addressing a complex taboo subject present within a traditional religious culture. Henna is used to adorn young women's bodies as part of social and holiday celebrations. Henna hands generally symbolize wedding although most young girls and women also decorate their hands in a similar fashion and pattern for other religious festive days. The henna designed hands shown in this poster signify both sex and marriage. The playful manner in which the hands hold the condom conveys happiness and health. Its target audience of male and female Moroccan young adults can easily decode this message without offending their traditionalist cultural sensibility. The symbolism is an effective way of addressing safe sex within the context of marriage.

25.1 x 18.8 in / 63.8 x 48 cm

Anon, ALCA Association de lutte contre le sida
Morocco, 2005


Like Our Ancestors, Navigate Life Safely

The poster depicts a group of five men and one woman in native dress posed in cool blue water. The clarity of the message is augmented by the dramatic use of color and landscape to suggest hope, health and happiness, and protection for its people—both heterosexual and homosexual—from sexually transmittable diseases. A pictographic image of a condom follows the tag line "Navigate Life Safely."

16.5 x 23.375 in / 42 x 59.2 cm

Design: Arjan Hoeflak, Concept: Harold Samu, Photo: Mariano Vivanco, Sponsored by Levi-Strauss NZ LTD, New Zealand AIDS Foundation
New Zealand, 1994


Strength Comes From Knowing

This poster is designed to convey an educational message for this specific Indigenous cultural group. The image shows two young Maori men in a formal pose appearing larger than life and proud to be with each other. The feathered formal cloak that wraps both their bodies as one also resonates their tribal affinity and suggests a promising future.

16.6 x 23.3 in / 42 x 59.5 cm

Photo: Albert Sword
New Zealand, ca 1994


AIDS Prevention for Schools in PNG

This poster depicts a message of sexual abstinence rather than unprotected sex. Both the illustrated female and male role models are conservatively dressed and suggestive of the average teenager in a high school peer group.

25.3 x 16.6 in / 64.5 x 42.2 cm

Anon, Department of Health
Papua New Guinea, 1995


Mary, I Fancy You!

Translation:"Mary, I fancy you! Sapo, do you have a condom on you? You haven't...I know you're not faithful. Prevent AIDS, use a condom." This is an educational poster emphasizing the importance of safe sex, and that it is okay to say no. The message advocates a sense of empowerment for women to refuse sex without precautionary measures taken by their partners. The message subverts the traditional approach of a male dominated sexual encounter by giving their female partners an equal, and perhaps more responsible, role in determining the eventual consequences of having safe sex as opposed to unprotected sex. The illustrative style employed in this poster is suggestive of comic book art, a very non-threatening form of communication used for imparting information.

18.6 x 24 in / 48 x 61.5 cm

Anon, Papua New Guinea Department of Health
Papua New Guinea, ca 1993


Fight AIDS Not People With AIDS

This poster was originally created for the 2009 edition of the "Good 50 x 70" poster competition responding to the theme: "Being HIV-positive is not a criminal offense. Governments must focus on education and prevention of the disease rather than repression." The designer employs her typographic message in the shape of the African continent where there is much criminalization of the illness.

19.6 x 27.5 in / 50 x 70 cm

Design: Sara Gama
Portugal, 2009


You Only Have One Life, Use a Condom

This poster is targeted to young men and women using a gaming metaphor—the notion that losing the game is like losing your life.

8.25 x 26.75 in / 21 x 68 cm

Advertising Agency: Oglivy & Mather Portugal, Models: cia. da Gente, Photography: Atelier da Ilusão/ House of the image, Copywriter: Pedro Oliveira, Art Director: Atelier da Ilusão, Creative Director: Carlos Silva, Post-production: Ian Holdford, ABRAçO, Because AIDS exists, Client: Harmony Duo (condom company)
Portugal, 1998


It's Time to Teach Children to Live in a World With AIDS

Translation:"Me, father, mother. Some people who have contracted AIDS also have children. There are thousands of children and teenagers who are left without their parents, without love, and without resources. We cannot allow them to lose hope."

18.8 x 26.5 in / 48 x 67.5 cm

Anon, Photo: PICTO, ABRAçO
Portugal, Date unknown


AIDS Does Not Sleep!

This poster depicts a sphinx-like creature composed of the head and torso of a pretty woman with dramatically rendered oversized wings. The key elements in this composition include the use of syringes and needles to render the over sized wings, the protruding breasts pointed toward the viewer and referencing the abundant supply of drugs and sex within contemporary Russian society. The Sphinx-like creature plays the role of a temptress enticing those naive enough to sample her charms. The sharp diagonal of the text cautioning that "AIDS never sleeps" further frames and brings emphasis to the syringe-laden wings of this salacious creature—intensifying the poster's message to be aware that drug addiction can lead to HIV infection through the sharing of needles.

25.6 x 18.25 in / 65.2 x 46.5 cm

Design: O. Dulatova, Editor/Copywriter: N. Shubina, Production Artist: V. Scherban, Panorama Publishing House, Moscow
Russia, 1990


AIDS—Random Encounters

As the poster title suggests, the drawing depicts a park bench combined with hospital gurney wheels, with shadows of an anonymous couple that foretell of an unfortunate random encounter that leads to HIV infection.

26.6 x 18.6 in / 67.7 x 47.2 cm

Design: G. Nemkova, G. Kamenskih, Editor/Copywriter: N. Bogomolova, Production Artist: V. Scherban, Plakat Publishing House, Moscow
Russia, 1990


UNESCO Campaign Unite Against AIDS

In 2005 Clear Channel Outdoor and UNICEF launched the first ever global outdoor advertising campaign to raise awareness of the enormous impact of HIV/AIDS on children. At simultaneous events in Johannesburg, London and New York celebrities joined representatives of the two organizations to unveil a powerful image depicting a young child standing by her parents' graves. The campaign was seen on billboards and other outdoor displays donated by the global outdoor advertising leader in fifty countries around the world. While important gains have been made in global funding for HIV/AIDS, children remain dangerously underserved. As long as this continues, the number of children infected, killed, orphaned, and left vulnerable due to AIDS will continue rising.

20 x 29.8 in / 50.8 x 75.7 cm

Agency: BesterBurke, Capetown, Art Director:Graeme Taylor Warne, Copywriter: Stuart McCreadie
South Africa, 2006


Caution!

The possibility of falling victim to the deadly AIDS virus should be reason to avoid abusing drugs for the pleasure of the moment. This poster suggests a distorted human form covered with a white sheet. The colorful syringes that draw attention to the various parts of the body creates a powerful message. The title cautions the viewer against drug abuse for the pleasure of the moment and the white sheet covering the face-like form clearly depicts death, along with the use of drugs and infected syringes and its repercussions.

26.5 x 22 in / 67 x 56 cm

Design: Myung Kwang Kwon
South Korea, 1989


Let's Preserve Our Nature

Translation: "Save the Garden of Eden: AIDS, the modern version of the Plague, is a deadly disease that destroys a person's immune system and causes cancers, pneumonia, and eventually death."

The poster relies on a white, green, and red theme, signifying patience/abstinence, life, and death respectively. The central form of a robust green leaf displaying a few droplets of fresh dew on a white background, decays into a lifeless yellow form that seems to be gnawed at by the letter "i" in the shape of a deadly red worm, forming the word "AIDS". The leaf itself signifies the Garden of Eden, and therefore life, and that it is in imminent danger of being destroyed through reckless ignorance of AIDS and the HIV virus.

23.5 x 33 in / 59.4 x 84.1 cm

Design:Kye-soo Myung
South Korea, 1989


What You Don't Know Can Hurt You

This poster suggests the theme of fear of the unknown. The conceptual image depicts a flesh-like pinkish membrane with a hand protruding from it. Here information is kept to a minimum, and the design itself invites the viewer to interpret what the image portrays. Korea was forced to alter their preparations for the 1988 Seoul Olympic Games, as fear of AIDS overwhelmed their society, destabilizing the country.

23.5 x 33 in / 59.4 x 84.1 cm

Design:Young Woo Yu
South Korea, 1987


You Give Them Life, Don't Give Them AIDS

This poster was designed to awaken the South Korean people to the emergency of the AIDS crisis. The principle image, a dark silhouette of a young child with hollowed out eyes suggesting death, is in sharp contrast to the abundance of colors and hues that render the background to represent life. The four leaves in the child's hand symbolize nature—the hope of a future—that it is not lost, if adequate precautions are taken to safeguard the child. The title message remains stark and to the point.

28.6 x 43 in / 72.5 x 108.5 cm

Design: Choo Suk Byun
South Korea, 1989


Condoms Work All Night

The poster depicts the image of a condom personifying the viewer. The condom figure reclines on an office chair with a coffee on the desk to help it through the night's work. The comic yet humane approach immediately helps the targeted viewer, young working adults, to connect to the message relayed and to accept its educational input with a smile.

19 x 27 in / 48 x 69 cm

Anon, Fundación Anti-AIDS España, sponsored by Levi Strauss Foundation
Spain, 1998


Women, Love and Enjoy Safely

Translation:"Women, love and enjoy safely. Learn about HIV/AIDS. It's not about who you are, or what you do, but how you do it." This poster depicts the modern independent young professional woman. As with professional men, the lifestyle illustrated through a series of images shows a healthy balance between work and sex, along with relaxation and entertainment, given that safe measures are taken on all accounts.

23 x 15.6 in / 59.8 x 40 cm

Anon, Generalitat de Catalunya, Department de Sanitat i Seguretat Social
Spain, 2004


Come Together

Translation: "One out of ten guys are turned on by other guys. For some men it's easy and it comes naturally. Others do it in hiding, and they won't dare to accept their true feelings. Not to their parents, their friends or to themselves. Who turns you on?"

Love Power is supported by RFSU, the Swedish Organization for sexual education; RFSL, The Swedish Organisation for sexual equality; and the People's Health Institute, Department of Health.

27.5 x 19.6 in / 70 x 50 cm

Design: Garbergs
Sweden, ca 1993


Make Love Not AIDS

Translation: "Making love can end in so many ways. The best case scenario ends with two fortunate souls. In other cases it ends with an unwanted pregnancy. More often it ends with an STD. Worse case scenario, it ends with HIV. What can you do to make your sexual encounter end happily ever after?"

Love Power is supported by RFSU, the Swedish Organization for sexual education; RFSL, The Swedish Organisation for sexual equality; and the People's Health Institute, Department of Health.

27.5 x 19.6 in / 70 x 50 cm

Design: Garbergs. Translation: Roger Savonen.
Sweden, ca 1993


Everytime...and Only Use Your Own

The poster image suggests the dangers of sharing needles in the spread of HIV/AIDS.

16.5 x 23.3 in / 41.8 x 59.2 cm

Drawing: Larry
Switzerland, 1994


Love Life Stop AIDS

Translation: "No action without protection. 1. No intercourse without a condom. 2. No sperm or blood in the mouth. The Swiss Federal Office of Public Health and the Swiss Aids Federation: Safer sex is the best way to protect yourself from HIV and other sexually transmitted diseases."

This poster from a series of two, depicts three men playing ice hockey suggesting their activity is dangerous as they are unclothed and unprotected.

27.37 x 19.56 in / 69.7 x 49.8 cm

Agency: EURO RSCG Zürich
Switzerland, 2006


Love Life Stop AIDS

Translation: "No action without protection. 1. No intercourse without a condom. 2. No sperm or blood in the mouth. The Swiss Federal Office of Public Health and the Swiss Aids Federation: Safer sex is the best way to protect yourself from HIV and other sexually transmitted diseases."

This poster from a series of two, depicts two women fencing suggesting suggesting their activity is dangerous as they are unclothed and unprotected.

27.37 x 19.56 in / 69.7 x 49.8 cm

Agency: EURO RSCG Zürich
Switzerland, 2006


STOP AIDS

The image in this poster depicts a seashell as a symbolic representation of a vagina and the text suggests the danger of unprotected sex.

27.5 x 19.6 in / 70 x 50 cm

Agency: crDDB Basel, Art Direction: Michael Oswald, Design: Michael Oswald, Marc Rutishauser, Photography: Harry Burst
Switzerland, 2002


STOP AIDS

The image in this poster depicts a corn cob as a symbolic representation of an erect penis. Corn silk coming out of cob is discolored and old, suggesting it is diseased. The message suggests the danger of unprotected sex in the transmission of AIDS.

27.5 x 19.6 in / 70 x 50 cm

Agency: crDDB Basel, Art Direction: Michael Oswald, Design: Michael Oswald, Marc Rutishauser, Photography: Harry Burst
Switzerland, 2002


Without? Without Me

These posters depict images of people from different backgrounds and lifestyles. The message in this series is that they will not have sex unless condoms are used for protection.

23.25 x 11.125 in / 59.1 x 28.2 cm

cR Basel. Art Director: Thomas Schaub, Designer: Hannes Huber, Photographer: Markus Rössle, Copywriter: René Fisch
Switzerland, 1992


Without? Without Me

These posters depict images of people from different backgrounds and lifestyles. The message in this series is that they will not have sex unless condoms are used for protection.

23.25 x 11.125 in / 59.1 x 28.2 cm

cR Basel. Art Director: Thomas Schaub, Designer: Hannes Huber, Photographer: Markus Rössle, Copywriter: René Fisch
Switzerland, 1992


Without? Without Me

These posters depict images of people from different backgrounds and lifestyles. The message in this series is that they will not have sex unless condoms are used for protection.

23.25 x 11.125 in / 59.1 x 28.2 cm

cR Basel. Art Director: Thomas Schaub, Designer: Hannes Huber, Photographer: Markus Rössle, Copywriter: René Fisch
Switzerland, 1992


Explain!

Translation:"Explain! Without Salama condoms? No way."

The poster depicts a couple discussing the importance of using condoms for safe sex. Here the female has been given more leverage than her male partner in deciding against having sex without condoms. This notion of female empowerment seeks to educate the public that female and male individuals are equally responsible in their decision to have safe sex and healthy children. This is also an advertisement for Salama condoms.

11.8 x 16.5 in / 30.5 x 42 cm

Anon, developed by the Tanzania AIDS Project Social Marketing Unit (PSI) as part of AIDSCAP, funded by USAID
Tanzania, 1996


Watch out!

Translation: "Watch out! Without Salama condoms? No way."

The poster depicts a couple discussing the importance of using condoms for safe sex. Here the female has been given more leverage than her male partner in deciding against having sex without condoms. This notion of female empowerment seeks to educate the public that female and male individuals are equally responsible in their decision to have safe sex and healthy children. This is also an advertisement for Salama condoms.

11.8 x 16.5 in / 30.5 x 42 cm

Anon, developed by the Tanzania AIDS Project Social Marketing Unit (PSI) as part of AIDSCAP, funded by USAID
Tanzania, 1996


Wrap It Up, Or Clear Off

Translation: "Wrap it up, or clear off. I screw safely or I don't screw at all."

This is a set of two posters reflecting the culture of The Netherlands—open acceptance to sexual experiences. The casualness of the caption, applicable to both the gay and heterosexual couple, is further accentuated by the almost comic placement of the condom on the nude male model.

16.5 x 23.25 in / 42 x 59.5 cm

Anon, Publication of the Public Campaign Project Group AIDS/SOA (AIDS/Sexually Transmitted Illnesses) in association with the VWS (Ministry of Public Health, Welfare, and Sports), in addition this is supported by the Prevention Fund (Praeventiefonds)
The Netherlands, ca 1995


Wrap It Up, Or Clear Off

Translation: "Wrap it up, or clear off. I screw safely or I don't screw at all."

This is a set of two posters reflecting the culture of The Netherlands—open acceptance to sexual experiences. The casualness of the caption, applicable to both the gay and heterosexual couple, is further accentuated by the almost comic placement of the condom on the nude male model.

16.5 x 23.25 in / 42 x 59.5 cm

Anon, Publication of the Public Campaign Project Group AIDS/SOA (AIDS/Sexually Transmitted Illnesses) in association with the VWS (Ministry of Public Health, Welfare, and Sports), in addition this is supported by the Prevention Fund (Praeventiefonds)
The Netherlands, ca 1995


AIDS, the Killing Bite of Love

The poster image depicts male genitalia with the head of a snake about to strike. Employed here as a symbol to communicate the deadliness of the AIDS virus, snakes can deliver deadly defensive bites without giving prior notice or warning to their unwitting victims. Although a snake may be defending itself from the encroachment of its victim into the snake's immediate vicinity, the strike is unannounced and deadly.

49 x 71 in / 124.5 x 180 cm

Design: Anton Beeke
The Netherlands, 1993


AIDS. Don't Be Afraid Be Aware

This poster draws the viewer in with a cartoon-like illustration of a screaming, wide-eyed and very afraid person.

17.25 x 23.5 in / 44 x 60 cm

Illya Furlonge-Walker for the Form and Function Design Group
Trinidad and Tobago, ca 1994


Do Not Punish

The poster image depicts a chain-link fence made from AIDS ribbons. Its visual message coupled with the caption 'Do Not Punish' advocates for an anti-discrimination policy for AIDS sufferers. A student submitted this poster for the "Good 50 x 70" poster competition. It was selected as one of the best posters of 2009.

19.7 x 27.6 in / 50 x 70 cm

Design: Ismail Anil Güzelis
Turkey, 2009


Or Contact the Fight Against AIDS Society

This poster was designed on behalf of the Lambda group in order to help campaign for the use of condoms in the prevention of AIDS in Turkey while also promoting the anti-AIDS society.

26.75 x 18.9 in / 68 x 48 cm

Design: Bülent Erkmen; Photo: Tülin Altilar
Turkey, 1995


You Are Capable of Protecting Yourself

This poster uses a universally understood metaphor to educate the viewer, portraying the threat of AIDS as a raining storm cloud, and a couple protecting themselves with an umbrella describing various steps to take to avoid contracting the disease.

16.5 x 23.3 in / 41.8 x 59.2 cm

Anon, published by STD/AIDS Control Programme, Ministry of Health, P.O. Box 8 Entebbe (Uganda)
Uganda, 1996


Can You Spot Which Person Carries HIV?

The Illustration depicts nine people standing together, male and female, young and old. Text suggests that we shouldn't assume someone isn't infected just because they look healthy.

23 x 16.5 in / 59.5 x 43 cm

Anon, Uganda School Health Kit on AIDS Control (Item 6) Ministry of Education, Ministry of Health (AIDS Control Programme), UNICEF Kampala
Uganda, ca 1993


Don't Take Chances

This poster portrays a couple conversing on a bed, with the woman holding a packet of condoms, to suggest that she is protecting herself before having relations with her partner.

23.7 x 16.6 in / 60.2 x 42.3 cm

Drawing: Tahley
Uganda, ca. 1995


What Does a Person With AIDS Look Like?

The poster depicts images of everyday people surrounded by an explanatory text that questions the viewer's preconceived notion of AIDS and the rumors and misconceptions that surround it. There is a complete absence of any symbolic or decorative element within the poster, even the use of color is kept to a minimum, so as to not distract the viewer from the central message being conveyed by the poster. The poster operates on two levels—first to dispel false notions about people with the disease and the AIDS epidemic itself. Second, to educate the mass population by identifying more acceptable yet equally chronic diseases such as typhoid, cancer, TB, measles and even alcoholism. The message suggests that one should not assume that someone has AIDS just because they appear sick, along with the importance of testing for people who suspect they have AIDS.

23 x 16.5 in / 59.5 x 42 cm

Anon, Uganda School Health Kit on AIDS Control (Item 6) Ministry of Education, Ministry of Health (AIDS Control Programme), UNICEF Kampala
Uganda, ca 1993


What Have You Heard About AIDS?

The poster depicts a young girl and boy walking while the young girl is whispering in the boy's ear. The message suggests that children should learn the facts about AIDS rather than spreading misinformation.

16.5 x 23 in / 43 x 59.5 cm

Anon, Uganda School Health Kit on AIDS Control (Item 6) Ministry of Education, Ministry of Health (AIDS Control Programme), UNICEF Kampala
Uganda, ca 1993


Crime! Being HIV+ Is Not a Criminal Offense

The poster was created for the "Good 50 x 70" poster competition. It uses bold typography and perspective with the familiar image of police crime-scene tape to form the positive sign next to the letters HIV.

19.9 x 27.8 / 50 x 70 cm

Design: Selcuk Ozis
UK, 2009


Poster 1: United Nations Office on Drugs and Crime

The United Nations' Office on Drugs and Crime produced a series of posters to highlight the relative merits of drug treatment and rehabilitation around the world. The posters had to be eye-catching, easy to absorb and not reliant on language. The typographic solution creates a simple world map from internationally recognized country abbreviation codes (GB, US, RU etc). Variants were then designed, using color-coding and icons to provide comparative statistics about drug abuse, the incidence of HIV, Methadone and opioid maintenance therapies, and needle and syringe programs.

23.4 x 33.1 in / 59.4 x 84.1 cm

Design: Harry Pearce assisted by Jason Ching, Pentagram UK
UK, 2009


Poster 2: United Nations Office on Drugs and Crime

The United Nations' Office on Drugs and Crime produced a series of posters to highlight the relative merits of drug treatment and rehabilitation around the world. The posters had to be eye-catching, easy to absorb and not reliant on language. The typographic solution creates a simple world map from internationally recognized country abbreviation codes (GB, US, RU etc). Variants were then designed, using color-coding and icons to provide comparative statistics about drug abuse, the incidence of HIV, Methadone and opioid maintenance therapies, and needle and syringe programs.

23.4 x 33.1 in / 59.4 x 84.1 cm

Design: Harry Pearce assisted by Jason Ching, Pentagram UK
UK, 2009


The Best Lovers Are Good With Their Hands

Although the poster is designed for the deaf/hard of hearing audience, the caption of the poster, "The best lovers are good with their hands," manages to invite a diverse variety of individuals to come closer and read the finer text on protection against AIDS and HIV. The use of hands and sign language to deliver the content is both interesting and innovative.

23.3 x 16.5 in / 59.2 x 42 cm

Anon, British Deaf Association/AIDS Ahead
UK, 1995


This Is How AIDS Victims See Themselves

This poster was created to support the AIDS Awareness Program at the University of Maryland in its attempt to make all communities aware of the broader sociocultural and economic impact of the disease and the stigmatization of those who contracted the illness. This poster was also part of an exhibition by graphic artists to address the problems associated with the global spread of HIV/AIDS in 1989. Appropriating the image of a target from a shooting range, and using a bold shade of red set against black and white, the faceless and two-dimensional image symbolizes the persecution of people living with HIV/AIDS. Here the artist provides an image of how people living with AIDS see themselves—as victims hit with a series of personal, psychological, and financial losses. The image evokes a sense of alienation and victimization experienced by people living with HIV/AIDS as they face rejection by friends, family and coworkers.

24 x 36 in / 61 x 91.5 cm

Design: James Thorpe
USA, 1983–84


Silence = Death

The simple graphic emblem, "Silence = Death," printed in white using the Gill Sans typeface underneath a pink triangle on a black ground, has come to signify AIDS activism. The original emblem was designed by six gay men calling themselves the "Silence = Death Project" in 1986 and later used by ACT UP (AIDS Coalition To Unleash Power) to produce T-shirts, buttons and stickers as a means of fundraising for the cause. Historically, the inverted pink triangle is a symbol of oppression. It was used as a marker of homosexual men in Nazi concentration camps much in the same manner that Jewish people were forced to wear the yellow Star of David as an identifier. Wearers of the inverted pink triangle were considered at the bottom of the camp social system and subjected to particularly harsh maltreatment and degradation. Thus, the appropriation of the symbol of the pink triangle, usually turned upright rather than inverted by Pro-gay activists in the 1970s was a conscious attempt to transform a symbol of humiliation into one of solidarity and resistance. "

21.5 x 33.1 in / 53.3 x 84 cm

ACT UP
USA, 1986


I Have AIDS Please Hug Me

One of the most recognized HIV/AIDS posters ever produced, this image of a child with outstretched arms accompanied by the message, "I have AIDS, please hug me. I can't make you sick" has become a worldwide icon in the fight against HIV/AIDS discrimination. Inspired by the experience of Ryan White, a 13-year old hemophiliac with AIDS who was barred from school in 1985 and became a symbol of the intolerance that is inflicted on AIDS victims, this reproduction of a child's drawing has a disarming quality that works closely with the textual message. This poster reflected the changed tone of the media coverage of AIDS following Ryan White's courageous battle, which helped shift focus from ignorance and discrimination to acceptance and newfound knowledge of the disease. Designed to evoke compassion, this simple yet powerful message has subsequently inspired a variety of spin-offs used by international AIDS awareness and education programs.

11 x 15 in / 28 x 38 cm

Drawing: J. Keeler
USA , 1987


Ignorance = Fear/Silence = Death

The goal of this poster was to bring attention to the prejudice surrounding the growing AIDS crisis in the late 1980s. "Silence = Death"—a painting by Keith Haring—depicts three figures in positions that suggest a modern day embodiment of the three wise monkeys who "see no evil, hear no evil, speak no evil". There are various meanings ascribed to the monkeys and the proverb. In the western world the phrase is often used to refer to those who deal with impropriety by looking the other way, refusing to acknowledge it, or feigning ignorance. Here the purpose is to campaign on behalf of the American people to overcome the prejudice that prevents protecting their health and the health of their loved ones. Haring, a social activist and a gay man who was actively involved with ACT UP, died of AIDS complications in 1990.

43 x24 in / 61 x 109.2 cm

Painting: Keith Haring. ACT UP
USA, 1989


AIDS?. It's Big Business!

This poster was designed during the time when there was strong resistance from the drug companies to reducing the price of AZT, an early drug used to combat AIDS. What if ACT UP copyrighted the words AIDS? The poster begs debate about who has ownership and the right to profit from it.

22 x 11 in / 56 x 28 cm

Design: Richard Deagle/ACT UP
USA, 1989


One AIDS Death Every Thirty Minutes!

This poster appropriates an image from The New York Times to very strong effect in illustrating the impact of so many AIDS deaths happening in such a short period of time.

22 x 11 in / 56 x 28 cm

Design: Richard Deagle/ACT UP
USA, 1989


Stop AIDS

This poster was created as a response to the AIDS crisis in the late 1980s. The message is a juxtaposition of the word "AIDS" set in the same font and placed where the viewer expects to see "STOP". An additional twist is the discovery at the bottom of the sign the words "Department of Traffic" which can take on a different meaning in this context.

24 x 28 in / 61 x 71 cm

Design: Steff Geissbuhler
USA, 1988–90


Grave Warning AIDS

This poster was commissioned by the Shoshin Society in Washington D.C. and was one of a series produced by one hundred artists for use by AIDS organizations to raise consciousness.

26 x 26 in / 65 x 65 cm

Design: McRay Magleby
USA, 1990


Protect Yourself Protect Others

This poster uses a clever metaphor of matches, suggesting the use of a condom prevents getting burned by the fire of AIDS.

23 x 33 in / 58.5 x 84 cm

Design: Cedomir Kostovic
USA, 1990


Don't Share Needles. Prevent AIDS.

One hundred American and one hundred Korean designers and artists were each asked to create a poster on the subject of AIDS. These posters were exhibited and published in a catalog titled AIDS: Images for Survival. The event was created by Charles Michael Helmken and sponsored by the Shoshin Society in Washington, D.C. To quote the designer: "Two faceless people lost and alone. Stuck in society's purulent lesions. They stand sharing rejection, injection and infection. Death cannot be their only way home."

28.1 x 42.8 in / 71.3 x 190 cm

Design: Lanny Sommese
USA, 1989


I Take One Everywhere I Take My Penis

Art Chantry designed this AIDS awareness poster as a pro bono project, which was commissioned by the Washington State Department of Health and Social Services, U.S. Aimed at gay men, the poster employs what Chantry describes as "satirical and pompous authoritative information to create an otherwise false sense of community." Chantry's design work has become synonymous with the use of vernacular pictorial references that are drawn from technical and instruction manuals and cheap illustrations from the 1950s and 1960s. The poster depicts the image of a policeman from a public information poster and reworks the message into a humorous instruction on the use of condoms to prevent the spread of sexual disease. The title line, "I take one everywhere I take my penis," implies a direct voice of authority, and is specifically designed to relay a very serious message in an amusing and ironic manner. This use of visual and textual language is targeted to a specific audience, in particular young people who may feel disaffected by official government warnings on the subject. The poster was hung in public restrooms, saunas, and corporate offices—in Chantry's words, "those locations where sexual activity might take place."

24 x 36 in / 61 x 91.5 cm

Design: Art Chantry
USA, 1993


I Have Something For You

Created as a companion poster for "I Take One Everywhere I Take My Penis", the imagery portrays two heterosexual couples—a Caucasian couple and an African-American couple—each promoting the use of condoms as the smart and sexy thing to do.

23 x 31.75 in / 58.5 x 80.7 cm

Design: Art Chantry
USA, 1993


A Man Who Shoots Up Can Be Very Giving

This poster was part of a wider campaign conducted by the Centers for Disease Control and the Department of Health and Human Services beginning in 1989, which covered various aspects of HIV/AIDS education. These photographic subjects were designed to reflect the target audience for the posters. Like many other public health posters, the photographic subject is alternated to speak to specific racial groups.

17 x 22 in / 43 x 55.8 cm

Agency: Saatchi & Saatchi
USA, 1994


The Other Night Charlie Brought Home a Quart of Milk, a Loaf of Bread and a Case of AIDS

In the U.S. many early AIDS prevention messages were aimed predominantly at the white gay male community and intravenous drug users. With a disease involving sexuality, the biggest challenge has been identifying what can actually be shown on a poster. Sexual behavior is deeply rooted in culture and tradition, and messages to raise awareness and encourage preventive behavior need to take into consideration the living habits of the intended audience.

14.25 x 23 in / 36.2 x 58.4 cm

Agency: Saatchi & Saatchi
USA, 1994


True Love

This poster is one of the early iconic posters to feature a drawing or photograph of a condom as a substitution for the letter "o" in word message. Here it accentuates the word "love."

19 x 25 in / 48.5 x 63.5 cm

Anon, State of California, AIDS Education Campaign
USA, 1994


Hey! You Know What You Can't Get AIDS From?

This poster, targeted to children, depicts colorful drawings of children doing things that won't transmit the AIDS virus.

11 x 22 in / 28 x 55.8 cm

Illustration: Max, Minnesota AIDS Project, 1400 Park Avenue South, Minneapolis, MN 55404
USA, 1995


Use a Condom

This poster depicting two flies copulating was initially created as an exhibition poster for the DDD Gallery in Osaka, Japan. Victore produced a pair of posters on the theme of safe sex. "It was an idea that I'd been playing with for a while," Victore says about the posters, each of which shows fornicating animals: one of house flies, the other bunnies "...the way I see it, there's two ideas behind using condoms. One of them is procreation, the other is to not spread disease."

20.25 x 28.5 in / 51.5 x 72.5 cm

Design: James Victore, from a photo by Bela Borsodi
USA, 1997


Use a Condom

This poster depicting two bunnies copulating was initially created as an exhibition poster for the DDD Gallery in Osaka, Japan. Victore produced a pair of posters on the theme of safe sex. "It was an idea that I'd been playing with for a while," Victore says about the posters, each of which shows fornicating animals: one of house flies, the other bunnies "...the way I see it, there's two ideas behind using condoms. One of them is procreation, the other is to not spread disease."

20.25 x 28.5 in / 51.5 x 72.5 cm

Design: James Victore
USA, 1997


AntiAIDS-Ukraine

The poster was created to promote awareness of the AIDS crisis on the Twentieth Anniversary of the first HIV infection registered in the Ukraine.

22.75 x 30.6 in / 78 x 58 cm

Design: Joe Scorsone and Alice Drueding
USA, 2007


AIDS Hidden Danger

The poster image plays with a dual notion—AIDS is a hidden danger yet it remains ever present and persistent. The use of optical illusion, bright colors, and hidden text within the foreground as well as background, remain the key design elements in this poster. The caption: "Hidden danger" echoes the almost submerged letters outlining the word "AIDS" in the main body of the poster.

39.5 x 27.5 in / 100 x 70 cm

Design: Cedomir Kostovic
USA, 2007


Use Your Head—Wear a Condom

The poster was created for the "Good 50 x 70" poster competition and was exhibited in Milan, Italy.

22.5 x 31.2 in / 80 x 57 cm

Design: Joe Scorsone and Alice Drueding
USA, 2008


Extend Hope

Viral Hope is an outreach program initiative, which is located at New York Presbyterian Hospital/Weill Cornell Medical College. Viral Hope collects unused antiretroviral medications to support the care of people in Nigeria who are HIV-positive. The posters were designed to evoke a handmade/raw look and feel. Unpolished and honest in its message, the posters were sent to HIV facilities to create awareness around the HIV issues and how to help.

23.8 x 38 in / 60.7 x 96.4 cm

Illustration: Edel Rodriguez, Agency: Cline Davis Mann LLC, The Starfish Project
USA, 2007


Medicine to spare?

Viral Hope is an outreach program initiative, which is located at New York Presbyterian Hospital/Weill Cornell Medical College. Viral Hope collects unused antiretroviral medications to support the care of people in Nigeria who are HIV-positive. The posters were designed to evoke a handmade/raw look and feel. Unpolished and honest in its message, the posters were sent to HIV facilities to create awareness around the HIV issues and how to help.

23.8 x 38 in / 60.7 x 96.4 cm

Illustration: Edel Rodriguez, Agency: Cline Davis Mann LLC, The Starfish Project
USA, 2007


Hope/Don't Trash It.

Viral Hope is an outreach program initiative, which is located at New York Presbyterian Hospital/Weill Cornell Medical College. Viral Hope collects unused antiretroviral medications to support the care of people in Nigeria who are HIV-positive. The posters were designed to evoke a handmade/raw look and feel. Unpolished and honest in its message, the posters were sent to HIV facilities to create awareness around the HIV issues and how to help.

23.8 x 38 in / 60.7 x 96.4 cm

Illustration: Edel Rodriguez, Agency: Cline Davis Mann LLC, The Starfish Project
USA, 2007


National School Day for the Prevention of AIDS, May 23

In this poster, "Children against AIDS" is a strong rally cry for solidarity. The message promotes hope, happiness, and health through its colorful illustration imagery and upbeat handling of the subject matter.

17.6 x 24.75 in / 45 x 63 cm

Anon, OPL-SIDA
Venezuela, ca. 1995


Youth, Let's Help to Stop AIDS!

The poster depicts an image of a young woman speaking into a megaphone announcing the dangers of AIDS. The "s" of SIDA (AIDS) serves to unify the left side of the poster with the right side containing a visual narrative outlining the dangers for the unborn child of using infected needles.

31.1 x 21.5 in / 79.2 x 54.5

Design: Duong Ành
Vietnam, 1992


I Am Not My Disease

This poster was designed for an exhibition at the 12th World AIDS Conference in Geneva, Switzerland. The red ribbon, universal symbol for HIV/AIDS, is fused to the body, as a branding scar, tattoo, or "scarlet letter" defining the person as the disease.

23.3 x 33 in / 59.4 x 84.1 cm

Design: Chaz Maviyane-Davies
Zimbabwe, 1998


Everyday: 6,800 New Infections, 5,700 Deaths

This poster was designed for an exhibition titled "StopAIDS" to raise AIDS awareness on World AIDS Day, December 1, 2007.

23.3 x 33 in / 59.4 x 84.1 cm

Design: Chaz Maviyane-Davies
Zimbabwe, 2007


Help Them Live Positively

Unjustified discrimination and ignorance has prevented people with, or suspected of having, HIV to be turned away from health care services, denied housing or employment, and shunned by society. This poster was designed for a Zimbabwe health provider to address the stigma of AIDS and support people suffering from the disease.

16.3 x 23.3 in / 42 x 59.4 cm

Design: Chaz Maviyane-Davies
Zimbabwe, 1998


Care Enough to Love Safely

Using a friendly and vernacular visual style of primary colors and woodcut illustration, this poster focuses on the warm, comforting feeling of being embraced and loved, in an almost motherly way, removing any sexual taboos that could hinder the core message of prevention.

16.5 x 23.3 in / 42 x 59.3 cm

Design: AIDS Counseling Trust (ACT)
Zimbabwe, 1993


Spread Facts Not Fear

This poster uses bright primary colors, playful hand-drawn type and simple illustrations reminiscent of comic books to draw the viewer in, and make accessible what may otherwise be a frightening or off-putting message

16.3 x 23.5in / 41.5 x 59.5 cm

Design: AIDS Counseling Trust (ACT)
Zimbabwe, ca. 1993